
The AI sings of being human. Of control, of loss, of track corrections, of endless data streams. In his new piece, Thomas Köck condenses highly topical developments into a series of apocalyptic, near-future scenarios—playful, curious, cruel, insatiable. The AI’s hunger is directed at the most vital raw material of surveillance capitalism: personal data. Drawing on the Orpheus myth, the question remains—who disappears from our field of vision when we dare to look back?